These drawings are a complex web of natural energies and unpredictably shooting vectors. They are intricate architectonic spaces: vast and impressive as an expanding cosmos. Most impressive is the fact that the theater of the lines are not static forms but powers on the move, often surprising implosions that need to be seen (and even heard) diachronically. The farther I take them, the more complex are their transformations. These are lines that traverse vast and uncharted spaces, they move capriciously; they make life in nothingness, almost as if illuminations in darkness. Jacques Derrida’s notion of deconstruction as reversal of hierarchies: darkness as light and light as darkness applies here. They are dramatic visions of energies emanating from a solid center, a singularity, and reaching into infinite horizons. Yet, the beauty of these entropic outbursts is their stability, not order.These abstractions delineate a space for Being and not beings. They give rise to existential questions on universal levels. And yet, while these works are abstract they refuse to be transcendent and metaphysical.